The international contemporary art collection of the Museum of Recent Art, presented in a group exhibition that brought together renowned artists who have shaped our understanding of contemporary art.

The main thesis of this curatorial essay stated that there are two major areas of stylistic practice in Romanian contemporary art: an interest in archaic visual forms and the use of humor.

For the first time in recent decades, young graduates and students from the four most important national art centers — Iași, Bucharest, Timișoara, and Cluj-Napoca — exhibited together in a museum in the Capital.

42 exhibitions in 8 countries marked 50 years since Picasso’s death. Romania was one of the 8 countries

The first museum retrospective of Romanian photography in the past 20 years, highlighting new phenomena and the paradigm shifts of that moment.

“René Groebli began as a photojournalist and became a photo-humanist.” — Erwin Kessler

MARTHA ROSLER is part of the generation of radical American artists who expanded the scope of critical art from a specific focus (such as feminism, represented in the MARe exhibition with her most famous photomontage series, Body Beautiful, c. 1966–1972) to a wide range of societal tensions, flaws, and sensitive issues.

Martin Creed is excessive and entropic, impossible to confine to a single formula. His œuvre is made up of “works,” as each piece is titled, whether it is a painting, a video, an installation, or a performance—regardless of whether it measures 5 centimeters, 5 minutes, or 5 tons.

Since the 1980s, Jonathan Lasker has been among the most prominent American artists who reinvented painting as a conceptual artistic medium. His paintings visually formulate a fully analytical approach.